She is defined by her rage at not being "normal" (relatable!). But the violent act itself is repeated so often with little variety to its visuals that it feels increasingly lackluster, even when Charlie begins to taunt her victims: "Liar, liar, pants on fire."įurther frustrating is how unformed Charlie feels here. Sometimes, there are grisly burns, rendered nice and gnarly in practical effects. It's the wind machine to a young girl's long hair, then a reverse shot of fire. The fire effects themselves are uninspired. None of which sound ideal for creating a nurturing environment for a child. Still, the McGees have a more immediate threat: the sinister government agency hunting them down to do further study and experiments.
But as we've seen in the first Firestarter as well as Frozen and Turning Red, repression isn't going to squelch the problem. Extreme emotions cause it to burst forth, so her father urges her to just repress that. The product of a telepathic father (Zac Efron) and a telekinetic mother (Sydney Lemmon), she has a power that's mighty but untamed. A remake of the 1984 Drew Barrymore vehicle based on a 1980 Stephen King novel, this dreadful horror offering makes changes to the story, but misses out on any of its heart or heat.Īdapted by Halloween Killsscribe Scott Teems, Firestarter follows the misfortunes of Charlie McGee (Ryan Kiera Armstrong), a young girl who has the power to manifest fire with her mind.
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Otherwise, you end up with a movie like the new-to-Peacock bore that is Firestarter. When setting out to make a remake, there has to be a point beyond cashing in on IP recognition.
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